Vampires Lite
By Dr. Meg
For fans of
Ann Rice’s vampire novels, Ellen Schreiber’s Love Bites may be lightweight, but for teenagers yearning for BFs,
it may be just right. The high school heroine obsesses over her best friends,
repeating that word at least once on every page. The vampire hero proves his
honorable intentions by NEVER biting the heroine, in spite of the title.
That is not
to say that risky behavior receives no attention here. The hero’s BF shows up
uninvited, and he falls in love with the BF’s BF, so vampires share adolescents’
fixations, at least in this book. The battle for individuality and creativity
against mundane conformity draws together the least and most popular residents
of middle America here, for consideration by all.
This novel
may make readers wonder if the term “vampire” does not just serve as a cover
for artists like the hero, as well as their admirers, like the heroine. The
battle for artistic integrity enjoys a long and distinguished history in
American literature, with ripe testimony by Ernest Hemingway, among others. As
technology replaces hand work, this battle intensifies.
Love Bites amply illustrates that those seeking
popularity above all may have their work cut out for them when confronting
individuals with vampires’ determination to go for blood. The trappings of the
vampire genre, including deteriorating mansions, wine cellars, garlic, and
coffins for sleeping and retreat, will make every vampire fan feel right at
home.
The idea that
vampires have standards, and those standards may exceed the obsessions of
community creeps’, will also appeal to idealists of every stripe. The novel’s
characters prove both likable and recognizable. Ellen Schreiber does not hype
confrontation; she seeks resolution of social conflicts, and, for that ideal,
she, too, deserves encouragement and praise.
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