By Meg
Curtis, PhD
Fifty Shades of Grey seems strangely familiar, doesn’t it?
Where have we heard of a charismatic flatterer? Are we really to believe that E L James’ ingénue impresses a corporate magnate so drastically that he charges
all over the country after her? If this is chick lit, then the chicks who read
it must want nothing more than flattery—and money.
What do we
know about James’ leading chick? She falls headfirst into the exec’s waiting
arms. She vomits uncontrollably. She can’t resist his come-ons. Do readers
really believe that a young woman would attract an unbearably powerful man—say,
like George Clooney—while behaving this way? If George accepts this stumblebum
routine, it hasn’t gotten into the press yet.
So, what are
we reading here? A story we’ve read before plus sex, lots of sex. In fact, this
addition to the traditional tale of country bumpkin meets city salesman only
serves to identify the story’s origin. Look no farther than the Garden variety
of Eden to find the girl’s neighborhood. Eve couldn’t resist her visitor,
either.
The contract
which the city slicker expects her to sign supplies a dead give-away; Who asks
for a name on a contract which means she belongs to him? The contract in turn
supplies the delay which leads readers on, just like the ingénue, to hope she
is not dumb enough to sign—while wondering if she’s read Great Expectations, too.
Indeed, what
makes this story more than tiresome? Point of view! We’ve heard the story of
Genesis so many times we could probably recite it in our sleep, even if we
support abortion, gay marriage, and democrat tax increases. But we never heard
the wildest dreams of little Evie while under the snake’s spell. And that’s how
somebody gets to the money.
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