By Meg Curtis
The Litigators smashes every likely preconception of
“boutique firms.” The attack comes with the opening line of the novel, and it
never quits. Trendy? Nope. High niche? Nope. Ridiculous? Yep—and counting,
somebody else’s money, always.
In case there's any doubt what a litigator does, he races into court, and never knows what will happen. He or she opens his mouth to gasp at what his client says next. Then there's the judge who's always out to fool him or her. Who's up for craps?
If an author
could assemble a more hare-brained cast than this one, let ‘em try! Here three legal eagles compete to bring down
the very house they call their own. Count them: Drunk 1, Drunk 2, and Harrumph
make three.
John
Grisham played his comedic talent close to his vest for years. With this novel,
he takes the gloves off, and turns on his clever key. Every
outrageous character that could wander around a court room finds his way to
Finley & Figg & counting.
The plot
begins with a breakdown—first, a hotshot lawyer for a corporate firm; then an
auto crackup right in front of a gaggle of ambulance chasers. Respect for the
attorneys vanishes as they forfeit advertising on TV and plunk it onto bingo
cards, where it belongs!
As fate will
dictate, the young attorney becomes the catalyst to shoo the older two down the
alley of their dreams. Drunk 2 maintains religious faith that tort cases will balance the firm’s finances. Of course, he also dreams
that dead guys make the best clients.
Harrumph
hides in his office to avoid Drunk 2 while Drunk 1 places his faith in pursuing off-shore makers of lead-painted toys. These guys complete their
artistry out of sight, out of mind. If anyone could find them, their business
would be hell’s own.
Meanwhile, readers collect a serious lesson on risk-takers of the
first order. Overall, the litigators here risk what minds they have left by taking
impossible cases. Next, they risk discovery of fraud. Last, they risk their
firm every time clients don’t pay up.
Casinos trade
on this kind of tomfoolery, but who knew courts may work the same way? Can losers sometimes outwit themselves? Grisham sees inside the human heart where winners fight to get out. That's where sobbing ends and laughter really begins.
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